Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television.In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.

A couple dealing with some major relationship issues are trapped in an elevator with a perfect, or not so perfect, stranger.

A couple dealing with some major relationship issues are trapped in an elevator with a perfect, or not so perfect, stranger.

After the murder of a Chinatown masseuse, a forensic artist must win the trust of a reluctant witness in order to complete the sketch of the killer.

Yorkshire, 1974, the Maynard family moves into their dream house. It's a dream that quickly descends into a panic stricken nightmare as the family discovers a horrifying truth, a truth that will make the history books. The house is already occupied by the most violent poltergeist ever documented, a poltergeist that will tear you from your bed as you sleep and drag you helplessly into the darkness.

Specializing in celebrities, entertainment and all things apolitical, comedy legend David Spade and a panel of his comedian friends are at the roundtable and in the field to help break down the biggest headlines of the day.

Specializing in celebrities, entertainment and all things apolitical, comedy legend David Spade and a panel of his comedian friends are at the roundtable and in the field to help break down the biggest headlines of the day.

Kurt and his friends disappeared during a camping trip in the California Desert. One year later, still coming to terms with her loss, Kurt's girlfriend, Lisa, is contacted by a retired sheriff who may be able to help her uncover the truth surrounding the mysterious disappearances.

Kurt and his friends disappeared during a camping trip in the California Desert. One year later, still coming to terms with her loss, Kurt's girlfriend, Lisa, is contacted by a retired sheriff who may be able to help her uncover the truth surrounding the mysterious disappearances.

Marie Menken's Lights is a film of such joy, such pure sensual beauty, that it is breathtaking and overwhelming. In just six minutes, with a breakneck sequence of abstract, colorful images of lights floating in a black nighttime field, Menken delivers an intoxicating visual experience. It's an abstracted vision, like the work of Stan Brakhage, a celebration of light and color in which each frame is alive with furious scribbles of blurred light and tangled rainbow beams. It's as though Menken is drawing with light by shaking her camera, unleashing small hash marks of white light and amber curlicues that twist around each other. Through Menken's expressive stylization, the marks and lines of these lights become a form of handwriting, an abstract language inscribed in the twists and turns of motion-blurred neon, car brake lights and Christmas decorations.